It is perhaps the most important part of the DNG Profile Editor as far as the way you will eventually be able to locate and apply your custom camera profiles. The Options tab is incredibly simple but don’t let that fool you.
In the Options section, you can name your custom camera profile and add the copyright information. This is a boiled down version of the color table and is extremely useful for adjusting the global white balance of your image as well as RGB hue and saturation.Īs I mentioned earlier, if you are a practitioner of infrared photography the Color Matrices tab will become your best friend. Through 99% of your work, you will likely use the Color Matrices tab of the DNG Profile Editor more than any other section. Here, it operates exactly the same as it does elsewhere by allowing you to adjust luminance values.
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The Tone Curve is a long-standing staple in not only Lightroom but many other post-processing software offerings. This is the familiar face in the DNG Profile Editor. Base your custom camera profile on existing profiles of your particular camera by using the “Base Profile” drop-down. This is all birthed from the embedded profiles (or downloaded) from the camera used to make the image being used as a reference. You can also control the temperature of the color table in degrees Kelvin just as you would in Lightroom. The color table is just the color wheel and it is laid out for you to pick colors from your image (more on this later) to adjust their hue and saturation as well as lightness. I’ll briefly explain what each one of them does. As you’ll notice there are a number of tabs at the top. This is where you will make your custom camera profiles.
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Oh, and did I mention the software is available absolutely FREE from Adobe? If you want to follow along with me then click one of the links below to download the latest build of the DNG Profile Editor from Adobe.įinding your way around the DNG Profile Editor is alarmingly straightforward because the majority of the controls are nestled on the right-hand side of the window. I won’t go too far into explaining the usefulness of camera profiles here, but there is an excellent article by Andrew Gibson here on dPS if you want to learn more about camera calibration and profiles in Lightroom.įor the purposes of this article, I will focus on how you can make your very own custom camera profiles using Adobe’s little secret, the DNG Profile Editor. What function do you ask? It allows you to create your own custom camera profiles for use inside Lightroom’s Adobe Camera Raw.Ĭamera profiles are the silent weapon of post-processing but they don’t get a lot of press. Just kidding, it’s not very impressive but it serves to facilitate a very useful function. Enough of introducing it, this is the DNG Profile Editor in all its glory: Think of the DNG Profile Editor as a way to make presets that are something more just your run of the mill develop preset. Not only that, it is extremely useful if you like being a complete photography nerd and you enjoy creating your own unique flavor of processing. It’s a little bit of an Adobe secret.ĭespite being a relatively unknown piece of software the DNG Profile Editor (no easy way to abbreviate) is somewhat of a necessity when it comes to editing infrared images. Have you ever heard of Adobe’s DNG Profile Editor? No? It’s okay if you haven’t because up until about a month ago I had no idea it even existed.